Haydn – St Nicholas Mass, Britten – Saint Nicolas

Joseph Haydn – St Nicholas Mass
Benjamin Britten – Saint Nicolas

Although we associate the person we have come to know as Santa Claus with the celebration of Christmas, Britten‘s St Nicolas was commissioned to celebrate the centenary of Lancing College, Sussex and was given its first official performance there in July 1948. However, there had been an unofficial première six weeks earlier as part of the opening concert for the first ever Aldeburgh Festival. Both were conducted by the composer, with the role of Nicolas sung by Britten’s partner, Peter Pears, a former pupil at the College.

More than two centuries earlier Joseph Haydn composed his St Nicholas Mass to celebrate the nameday, 6th December, of his employer, Prince Nicolaus Esterházy. The Mass follows the usual format of Kyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei and while it is comparatively short it shares all the trademarks of joy, vivacity and tunefulness as the masses he wrote in his old age.

Bernstein – Chichester Psalms

Leonard Bernstein – Chichester Psalms

2018 marks the centenary of the birth of composer, conductor, author, music lecturer and pianist Leonard Bernstein, whose most famous scores include West Side Story, On the Town, Candide and On the Waterfront.

Commissioned from Bernstein by the Dean of Chichester Cathedral for the 1965 Southern Cathedrals Festival, the Chichester Psalms received its UK premiere on 31st July 1965 and has gone on to become a highly popular staple of choral societies to this day. Consisting of three short movements, the Chichester Psalms is sung in Hebrew.

Our programme of 20th- and 21st-century compositions is completed with choral works by Janáček, Morten Lauridsen and Vaughan Williams.

Handel – Israel in Egypt

George Frideric Handel – Israel in Egypt

“The horse and his rider hath He thrown in to the sea.” These are the final words of Israel in Egypt, which sets to music passages from the Old Testament Book of Exodus and Psalms. The libretto is believed to have been prepared by Charles Jennens, who was also to compile the biblical texts for Messiah a few years later.

Frogs, pestilence, flies, lice, locusts, hailstones, fire, darkness and the parting of the Red Sea all feature in this extraordinarily dramatic oratorio, composed by Handel in one month.

HCS musical director Ron Corp shares his thoughts on Handel’s work in this video.

Mozart Mass in C, Szymanowski Stabat Mater

Wolfgang Amadeus Mozart – Mass in C Minor K427
Karol Szymanowski – Stabat Mater

Free pre-concert talk by Ronald Corp at 6.20pm.

Works written for two very different occasions form the opening concert in Highgate Choral Society’s 2017-2018 season. Following the recovery from illness of his fiancée, Constanze Weber, Mozart promised to write a mass of thanksgiving. Although it was never completed the Mass in C minor was premièred, in its incomplete state, with Constanze as one of the soprano soloists, in Salzburg on 26th October 1783 and harks back to the Baroque world of Handel and Bach.

Originally commissioned by the Polish-born art collector Bronislaw Krystall to write a requiem commemorating his wife’s death, Karol Szymanowski decided to change the contract and instead composed what is considered to be his greatest masterpiece. The inspiration for his Stabat Mater was the tragic death of his niece, Alinka and the subsequent suffering of his pregnant sister, who was soon to lose another child. Completed in 1926, Stabat Mater is of fundamental importance in the history of Polish music after Chopin.

Carl Orff – Carmina Burana

Carl Orff – Carmina Burana

  • Venue: Royal Albert Hall
Carl Orff popular favourite, Carmina Burana plus other works to be confirmed.

Will Todd Mass in Blue, Russell Hepplewhite Two or Three Angels

Will Todd – Mass in Blue
Russell Hepplewhite – Two or Three Angels

  • Venue: St Michael’s Church, South Grove, Highgate, London N6 6BJ
  • Soprano: Susanna Fairbairn
  • Conductor: Ronald Corp
  • + Instrumental ensemble

Pre-concert conversation with Russell Hepplewhite at 6:20pm.

When the first recording of Mass in Blue was released in 2006, MusicWeb International ended its review thus: “Choral singers and directors on the lookout for enriching their choir’s choice should get this, as should anyone who appreciates a well-themed piece of sung music that brings off the balance between accessibility and sustained creative delight.” Premièred in 2003, Mass in Blue, scored for soprano solo, choir, piano, bass and drum kit, has gone on to receive performances throughout the world.

Perhaps this will happen to Two or Three Angels too? To complement the Mass, Highgate Choral Society has commissioned an exciting new work for soprano and double choir from “one of the brightest young talents to emerge in recent years”, Russell Hepplewhite (Evening Standard Top 1000 most influential Londoners). Consisting of 12 movements, Two or Three Angels sets to music poetry by William Blake, Rabindranath Tagore, Emily Dickinson, W B Yeats, Stephen Crane, James Henry Leigh Hunt, John Keats and Henry van Dyke. 1 July 2017 will be its first performance.

Kodály Missa Brevis

Kodály Missa Brevis
Plus English and Italian Music by Finzi, Mascagni, Rossini, Vaughan Williams, Verdi

Throughout 2017 the 50th anniversary of the death of Hungarian composer Zoltán Kodály is being marked. In 1945, while hiding with his wife and many others in the cellar of the Budapest Opera House during the Nazi occupation, he completed his Missa Brevis, which had originally been an organ mass. Its first performance was in the cloakroom of the Opera House, later receiving its official première at the 1948 Three Choirs Festival in Worcester.
By the time of this concert Highgate Choral Society will have been on its tenth tour abroad, to Naples, Sorrento and Pompeii, where they will have performed sacred and secular pieces by Finzi, Mascagni, Rossini, Vaughan Williams and Verdi, as well as Campion, Palestrina and Tallis.
The soloist in the Missa Brevis will be young soprano Iúnó Connolly, who will also sing a selection of English and Italian songs accompanied by organist Edward Batting.