Stainer : Crucifixion

John Stainer was considered to be one of the most distinguished musicians of his generation and yet his Crucifixion continues to divide critics sharply.  It was first performed in February 1887 at Marylebone Parish Church and was well received at the time but later attracted fierce criticism, for its libretto as well as its music.  Stainer’s purpose in composing The Crucifixion cantata was to create a meditation on the passion of Christ but on a scale that made it accessible to most parish choirs and which encouraged participation by the whole congregation.

Despite some damning condemnation over the years, Stainer’s collaboration with the Rev William Sparrow-Simpson, who wrote the words, is considered by many to contain ‘some of the most memorable hymn tunes we shall ever hear’.  Stainer’s aim with this cantata was always a modest one and yet, at the time, there was no such piece which provided an extended Passiontide contemplation for ordinary choirs and congregations to perform.  Its enduring popularity is a testament to its success.